The Mick, O'Brien

  1. Search
  2. Subscribe
  3. Archive
  4. Random
  • Double Falsehood

    My countdown to Frank Cwiklik announcing his adaptation, set in an Atlantic City burlesque club starts… now.

    • Experts back authenticity of “Double Falsehood” as adaption of work by Shakespeare
    • Professor Hammond spent ten years finding circumstantial evidence to prove origins of play
    • Five-act play described as a “romantic tragicomedy” with plot from Cervantes’ “Don Quixote”
    • Original manuscripts missing, may have been destroyed in theater fire

    Tagged: livelyarts

    Posted on March 16, 2010

  • Gonjasufi - “DedNd”

    off A Sufi and a Killer, Warp 2010

    Time to go make the doughnuts.

    Tagged: muziq

    Posted on March 15, 2010

  • Beautiful, beautiful stars.  Like I remember the stars I saw from the Boundary Waters Canoe Area as a boy.  Which may or may not have looked like this at all, but still.

    via Andrew Sullivan, who I’m loving lately…

    Tagged: big.world

    Posted on March 14, 2010

  • Getz at rest.

    Getz at rest.

    Tagged: eric.burdon.and.the.animals

    Posted on March 14, 2010

  • Sweet night of No Cooking...

    India Place on Vanderbilt - Chicken Masala for he, Saag Panir for she.  Mint Paratha for all. 

    Everybody wins.

    Tagged: eater

    Posted on March 14, 2010

    Source: allmenus.com

  • Language as continuum

    I’m about to start rehearsing for two plays simultaneously.

    One of them is Hamlet. 

    The other is Ashta Wi-Nu, a new work by a grimy-fingered web monkey from Brooklyn who is my favorite playwright.  It (like him) is completely bonkers.

    It would be tempting to call AW-N a play without words, but there are words aplenty - just few you’d recognize. There is also voice, and syntax and rhetoric.  And frankly, I’m finding it to be not nearly as dissimilar from what I’m working on with the Hamlet gang as I expected. 

    Here’s my first chunk of dialogue from the opening scene we began working this week:

    un sheza ployd no boden wends the wold;
    her so abso, dipper schlippt, recarbs
    for oop seizen; stip, osh in grire ice
    abuillieyent, t’goze arove a moaming

    And one of my early bits from Hamlet:

    But who, O, who had seen the mobled queen
    Run barefoot up and down, threatening the flames
    With bisson rheum; a clout upon that head
    Where late the diadem stood, and for a robe,
    About her lank and all o’er-teemed loins,
    A blanket, in the alarum of fear caught up

    These worlds will be interesting to walk a-straddle…

    Tagged: livelyarts goodweird

    Posted on March 14, 2010

  • More from (outside) the INDEPENDENT. Haha. Art.

    More from (outside) the INDEPENDENT. Haha. Art.

    Tagged: nyc nihilists

    Posted on March 14, 2010

  • Spotted at the INDEPENDENT earlier this month. 

    Spotted at the INDEPENDENT earlier this month. 

    Tagged: nyc nihilists

    Posted on March 14, 2010

  • Plays: 10
    [Flash 9 is required to listen to audio.]

    Shooby Taylor, the Human Horn - “Over the Rainbow”

    More like this, I think.  Yes.

    Tagged: goodweird

    Posted on March 14, 2010

  • yvynyl
  • staff
  • j450nk
  • anniescott
  • davehuth

Field Notes Theme. Designed by Manasto Jones. Powered by Tumblr.